Common film lovers are ready to accept a fact that ‘Aththarintiki Daaredi’ is not a typical Trivikram Srinivas and Pawan Kalyan style of movie. Major strength of this industry hit is the climax portion shot in Railway station where Pawan rolled entire Telangana and Andhra Pradesh audience into tears with a heart touching emotion. Such is one powerful performance from Power Star changed the result of ‘Aththarintiki Daaredi’ upside down. Any director who is working with Pawan for next cannot come out of that magic.
The same is heard of happening one more time as director Dolly shot an extra ordinary climax on Pawan Kalyan and Venkatesh for ‘gopala gopala.’ The dichotomy in philosophies of Venkatesh as an atheist and Pawan Kalyan himself as a god was debated in climax to give a new flavor of experience for Fans of both the heroes. Meaningless action climaxes aren’t mandatory for star heroes. Pawan and Trivikram showed a new path and ‘gopala gopala’ meaningfully drives on it.
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